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MAT BOBBY – PHOTOGRAPHER

Edge of Destiny LunaFest '26

Concert LunaFest ’26

Bands, stage light, and the crowd that came for them.
2026

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Silver Creek Marching Band

Editorial Marching Band

A personal project that became the cover story for Inside Longmont.
2025

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Las Americas Tortilleria

Editorial Las Americas Tortilleria

The Soto family's Longmont tortilleria is a from-scratch, three-generation institution where the daily tortilla is part ritual, part homecoming. I photographed the story and its cover for Inside Longmont.
2026

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People Portraits

People photographed in the places and moments that shape them.
Ongoing

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Documentary Charrería

La charrería — Mexico's traditional rodeo, and the riders who keep it alive.
2025

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Documentary Rodeo

The arena and the people who live for it — dust, nerve, and ritual at the rodeo.
Ongoing

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Travel India

Photographs from India — including the colour and joyful chaos of Holi.
2023–2024

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Travel The Gambia

Photographs from The Gambia — its people, light, and the texture of daily life.
2024

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Index of work Open a frame count to look inside ↓
01 LunaFest ’26 Concert 2026
02 Marching Band Editorial 2025
03 Las Americas Tortilleria Editorial 2026
04 Portraits People Ongoing
05 Charrería Documentary 2025
06 Rodeo Documentary Ongoing
07 India Travel 2023–2024
08 The Gambia Travel 2024
09 Demolition Derby Documentary Ongoing
10 Roadside Field Work Ongoing
About Longmont, Colorado

I was watching long before I picked up a camera.

mat-bobby

As a kid, I learned to read a room, to notice what people weren't saying, to understand the mood before it shifted. The world didn't always feel safe, and observation became survival. It also became the way I learned to trust my own feelings. When photography found me, it didn't feel like a new skill so much as a use for an old one. The careful watching I'd done out of necessity became a way to preserve what I was seeing.

I'm drawn to people: what they do and what they care about. I don't have to share someone's interests to be interested in them; while I'm with someone, I care. I'm equally drawn to the things people leave behind, the objects that say someone was here.

For me, emotion matters as much as composition and light. Without some kind of pull — curiosity, melancholy, warmth, even confusion — the image stays inert. I hope people will look at my photos and not just see what I saw, but feel something close to what I felt.

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